I realize I said A Place Beyond Shame was going to be the next review, but a series of uninteresting events have bumped Inside Seka to the number one spot.
Inside Seka (1980)
Directed by:
Seka
Ken Yontz*
Starring:
Bobbie Burns
Christie Ford
Merle Michaels
Suzanne Raven (as Portia)
Seka
Tara Mann
Ashley Moore (as C. More Ashley)
David Ruby
George Payne
Ken Yontz
Marc Valentine
Mike Feline
R. Bolla
Ron Hudd
Ron Jeremy
Roy Stuart
With a name and format (the tried and true sex scenes as recollections) giving every indication of a compilation, I was pleasantly surprised to see that Inside Seka wasn't. In this case, the scenes are shown as Seka recounts the acts to her husband while they have sex. Prior to the film, I was unfamiliar with Ken Yontz, so I didn't realize that her "husband" was actually "her husband." In addition to telling that Seka and Ken were actually married, the freeze frame at the end of the film said "[a]ll the events in the motion picture you have just seen have been true or actual reenacted events of my special fantasies," a sentence begging for an editor. I mean, if the events reenacted were of her special fantasies, wouldn't that just make them "enacted"?
Anyway, back to the film.... The first scene, Ken and Seka in the throes of missionary, is returned to after each of the dirty talked recollections are finished. Those scenes feature a pretty complete set of m and f combinations (f, mf, ff which becomes ffm, mfmm with a tangential m, and mf and mf swap; pretty much everything short of a relatively rare fff and a never-to-be-seen-in-straight-porn mm). Some highlights include an erotic but unbelievable Seka solo (I can't imagine a woman alive voluntarily contorting herself the way Seka does while masturbating), Plato's Retreat (which seems to be about the most quaint swingers' club in the world; one man, one woman, missionary for all!), one of, if not the best - for lack of a better term - titty-fucking scene I've ever seen, and perhaps most notably, a(n) (in)famous shot of Ron Jeremy sucking his own penis.
As a brief aside in regards to RJ's autofellatio, I remember reading him say that he has and will never finish himself off orally, which strikes me as probably untrue and ridiculously (though harmlessly) homophobic. It sort of reminded me of a part in Chemistry (one of the few post-1985 movies I've seen in the past five years) when Kurt Lockwood, while being anally penetrated by Mika Tan with a strap on, is quick to point out that he's only turned on by it because she's a woman. We get it, we get it; you're straight....
Since Jeremy's "talent" shows up on film very few times, it was a pretty big coup for Inside Seka to show it in it's most logically comical way. Seka, orally servicing three guys in a warehouse rebuffs her boss's advances telling him to go suck his own dick...so he does.
Throw away gimmick aside, the film has generally solid production values (the Plato's scene is very poorly lit, though), as-usual excellent performances by R. Bolla and Merle Michaels, and, of course Seka. The only problem I had with the film was that the climactic (pun partially intended) scene in Plato's was the longest, least interesting scene killing the otherwise great pacing. B-
As a post script, the review wouldn't be complete without mentioning the ridiculous theme song which, if the internet is to be believed (and really, when isn't it?) was to be possibly released on record. Yipes.
* "[w]ith unmentioned but very hands on support from Joe Sarno."
Thursday, January 28, 2010
Friday, January 15, 2010
It's been a month of Sundays since a review.
...But I figured I'd put something up.
I'm re-reading The Other Hollywood (I read it once when I was first exploring the Golden Era and figured it'd be worth looking at again since I've got a better handle on who's who and what's what), which has prompted me to make A Place Beyond Shame - Seka's first adult film - my next review.
In the book, while talking about Seka, Veronica Hart drops one of the greatest lines of all time:
"As long as I have a face, Seka will always have a place to sit."
I'm re-reading The Other Hollywood (I read it once when I was first exploring the Golden Era and figured it'd be worth looking at again since I've got a better handle on who's who and what's what), which has prompted me to make A Place Beyond Shame - Seka's first adult film - my next review.
In the book, while talking about Seka, Veronica Hart drops one of the greatest lines of all time:
"As long as I have a face, Seka will always have a place to sit."
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